Category: Game Grid

Fusion Festival = FAIL

Burning Man is an arts, culture, and alternative lifestyle festival. But to call it a festival insults the enormousness and intensity of the event. For many people, the word “festival” conjures images of dorks dressed in medieval attire pretending to be elves, goblins, wizards, and knights. For some it elicits flashbacks to Woodstock. In these situations, the festival is “festive,” meaning that it’s fun and people are there to have a good time–and nothing else. Little effort is wasted on anything beyond pure enjoyment.

Burning Man is not as gentle. Yes, it is multitudes of fun, but it also requires hard work. Not just in preparation, traveling, and setup, but toiling through nearly every day. The dry playa that transforms into Black Rock City is barren–at night it is like the surface of the moon. It offers you with nothing but gravity and dust. Yet in this otherwise inhospitable nook of our planet, a culture teams with energy and joy for a brief flash every year. It is here where you can let everything go–your reality and yourself–for a week. It is here you become in touch with who you are–and who your neighbors are–as you attempt to sustain yourself through days and nights of heat, cold, wind, dust, and a complete lack of water or other resources. Everything must be brought in, and everything must be taken out at the end. It is at this time that you discover what you really need and what/whom you appreciate the most.

It is for this discovery, and to be witness to some of the most off-the-wall, outside-the-box, and challenging arts ever seen or heard, that people make this pilgrimage every year. Even in this desolate place, they feel safe. In a place that offers nothing, they can take in the essence of humanity’s potential.

I’ve been to Burning Man three times now, and it didn’t take long for me to appreciate the awesomeness of the invention known as “EL Wire.” Short for “Electroluminescent Wire,” this stuff, for me, brought the imagery and possibilities visualized in the movie “Tron” into reality. Most of you know I’m a Tron geek, so you can surely imagine how this stuff makes me as happy as a little girl. Never seen it before? Here is a picture of some EL Wire costumes from Burning Man:

Some elaborate friends at Burning Man

EL Wire is flexible and generates no heat, yet emits a vivid and almost-eerie glow when powered. EL Wire can be driven with nothing more than a few AA batteries, so it’s easy to conceal the electronics in a costume. It’s also cheap. While I don’t remember the American prices, I know it’s about 3€ per meter in Germany.

Despite it’s instant association with the visuals of Tron, EL Wire technology didn’t exist in 1981 when Tron was being made. The circuitry costumes were simply black and white spandex outfits. When the films were processed, the post production crew was able to illuminate the film from behind with colors like blue and red to give the characters their signature look. Obviously this sort of thing was impossible to do in the real world.

In the new movie “Tron: Legacy”, the production decided to make use of EL materials instead of using the complicated and expensive methods used in the original movie. Instead of wire, EL strips were used to create bold lines and angles on the actors’ costumes. While not as intricate or circuit-like as the original movie (much to my dismay), it offered a cleaner visual impact that matched the hyper-real computer-generated scenes of the new movie. Unlike the original Tron, you can actually see the faces of the actors being illuminated by the suits since the lighting was real:

See them glow...

The second time I went to Burning Man, I decided to get into the EL Wire scene myself. No other costume I could imagine would be a more accurate representation of my inner child. I purchased some wires and proceeded to sew them onto an Ableton hoodie and a pair of shiny denim jeans I’d bought on Hollywood Blvd. I also took a purple wire and affixed it to my Camel Pack including wrapping the wire up the drinking tube. The effect was good, but the clothes were so permeated with playa dust that it wasn’t a good idea to wear them for any other occasion. Incidentally, they did not come with me to Berlin. It’s been at least 5 years since I wore any EL Wire at all.

As many of you have seen in blog posts and on Facebook, I have recently acquired a new hobby of playing with microcontrollers, specifically the Arduino platform. I used it to make my TB-303 swing and to control my MIDI instruments via my iPad (without using my computers). I’m currently working on an Arduino-powered synthesizer made from four Commodore 64 8580 SID chips. But once I discovered that there was an EL Wire Sequencer board for the Arduino, I had the idea to apply this to a new costume for Fusion Festival. Being in Berlin, I would not be in a position to go to Burning Man, and it sounded like Fusion Festival would be the closest thing possible here in Europe.

With this in mind, I constructed an Arduino-controlled EL Wire costume that is capable of flashing the various wires based on music it hears. I have a small Electret microphone sewn into the hood of a black sweatshirt. It goes down to a pack at my waist which houses an Arduino with two shields on top: the EL Escudo (an EL Wire control board) and a Spectrum Shield (a board that can split audio into 7 preset frequency bands). The Spectrum board splits the audio from the microphone into 7 values which I process in the Arduino. When I see sharp, quick peaks in values, the Arduino sends a signal to the EL Escudo that makes it flash one of the wires. The program incorporates auto-gain control such that the flashing works at a wide range of volumes without needing any manual adjustment, and I also added a fade-out when a wire is turned off so that it would look more natural instead of being abrupt. In all, the whole assembled unit is probably no larger than two packs of cigarettes. But it must be powered by 8 AA batteries to generate 12 volts as required by the power inverter. As it turns out, EL Wire needs something like 100+ volts AC in order to work, so the inverter must step-up the power from the batteries. Nonetheless, batteries last a long time because the current drain is slow. With wires connected to the hoodie, the whole contraption looks like this:

The EL Wire Hoodie

Click the following link for a video demonstration: EL-Wire

Yes, it’s not as elaborate as the costumes shown above in terms of complexity and use of color, but it brings a new level of techno-geek that isn’t present in most thanks to the audio sensitivity. And even though it’s not really an homage to Tron at all, it does echo the more minimal approach of the latest movie. And from far away in the middle of the night, I’m sure it looks really bizarre.

So with my costume in hand, I headed out to Fusion Festival this last Thursday with a bunch of friends from work. Our plan was to arrive Thursday evening and leave Sunday evening (some of us had to work on Monday). During the week leading up to the festival, while I was spending my evenings soldering, programming, and sewing, I was keeping an eye on the weather. It became quite clear to me that Fusion was going to take place on one of the worst weekends possible this year. The days leading up to Fusion were beautiful–the Wednesday before was 29?C in Berlin–super warm! Yet the following day was supposed to hit 16? as a daytime high. And it was supposed to rain. In fact, it looked like it was going to rain the entire 4 days of the festival.

Sure enough, Thursday morning was cold an rainy. It was raining when we arrived and, much to our dismay, they would not let us take our van up to our camping site. So we had to hump all our gear from the van up to the campsite which took about 15 minutes each way. In the rain. In the mud. Fortunately, I’d “prepared” and bought a huge poncho at the Trendy Army Store which kept me dry during the trek.

Thankfully, the rain ended Thursday night and we were able to go out and about. I had my EL Wire hoodie on and we quickly discovered that we could not get to to any destination in good time if I had it on. Too many people kept coming up and asking me about it. For, you see, I was the only person out of the tens-of-thousands that were there that had an EL Wire costume. Somehow, the visual magic that was the norm at Burning Man had not made it across the Atlantic. People wore costumes–usually just weird combinations of random things–but they were all dark in the night.

This all turned out to be a benefit on Friday  night when our group split up to get food. When we arrived at the rendezvous point and we didn’t see the other part of our group, I switched on my hoodie and we were found within 5 minutes. By this time, I’d also sewn some EL Wire down the sides of some black army pants so I was now more like a glowing stick-figure or astronaut.

And this is where things started going downhill.

I can’t really hold it against Fusion Festival that it rained nearly the whole time and ruined the fun. They can’t control the weather better than anyone else. But I was absolutely flabbergasted by the fact that they turn all the music down at night. That’s right: A massive 4-day multi-stage event at a privately-owned piece of land 2 hours north of Berlin that used to be a Russian airbase has to turn the music down at night. There was evidently a village 4km away which must have complained about the noise in previous years.

Now, some of you may have just done some quick math in your head and may be asking “What? This festival is loud enough to cause complaints from people 4km away? Doesn’t that mean it was ridiculously loud to begin with?” Answer: Yes, but now. Indeed, these stages are equipped with massive Funktion One sound systems which, when run at full bore, could shake the shit right out of your body. Thankfully, they never turned them up that loud, but they do crank them up to the point where you are totally enveloped by the sound and are experiencing it physically rather than only with your ears. It is this total envelopment of the music that makes it so good, and that was completely lacking at night…right when I wanted to be experiencing that the most with my costume flashing away. Evidently, this reduction of volume is known to people who have gone to Fusion before and I really wish someone would have told me about it beforehand. I swear, the music was SO quiet that I’m not going to be bothering to go to Fusion again for I feel ripped off. In fact, even if someone told me beforehand, I probably wouldn’t have believed the magnitude of quietness they were describing. No joke: we could stand right in center of the dancefloor and talk to each other in a normal speaking voice. So shouting–no effort. It was as if the DJs were just background music at a house party. If I had been playing at the event, I would have been pissed off at the lack of sound.

But, no, this was not the ultimate fail of the trip. The music being quiet was lame, the rain was unfortunate, but the last item was inexcusable. Here we were dancing at the Turmbrühne (Tower Stage) with thousands of others:

Massive fire from the top of the tower at the Turmbrühne dancefloor.

While down in this mass of people, while having a good time dancing with friends–my costume flashing to the beat–I hear a loud explosion behind me. Directly behind me. I see the flash in my peripherals. And I feel it. I feel it most on my right pinky finger. We all look around to see what happened–only to see nothing–when I then look a look at my hand. Four fingers were OK, but my pinky was covered in blood. Between the friends that were with me, we were able to wipe it up and clean it off with wet wipes, dry it off with a tissue, and bandage it up.

For you see, someone at this “festival” of arts and music–and whatever other message they may profess–had brought fireworks and decided to ignite them in the middle of the dance floor. Yes, that very same dance floor you see above–with all those people. Some complete psychopath figured it would be appropriate to bring violence to the event and cause distress, discomfort, damage and potentially worse to a group of people just trying to have fun. I was the unlucky one caught in the crossfire.

After I sat down due to the adrenaline coursing through my veins (which were filled with ice-cold blood at this point), I came to realize just how lucky we all were. How did that firecracker get there? Without anyone standing there to set it off, the only explanation I have is that someone lit the firework and threw it into the crowd of dancers. We are all fortunate that I was standing the way I was when that thing went off. Had I been slightly more in one direction or the other, the firework could have exploded right beside me, potentially deafening me in one ear, could have sent shrapnel into the side of my face, or could have even blinded me. It could have exploded closer to someone else–it could have even landed on one of our heads and exploded there! The more I think of what had narrowly been avoided, the more sick I become thinking of this slime of a person who shares the same Earth as I do. And this is the best thought that I have.

The worst thought that I have was that this was done with malice. Here I am at this festival, the only person in EL Wire–essentially standing out like a sore thumb–and I am the only person within the destructive blast radius of a firecracker. Did someone see me and hate me so much that they chose to do this to me? While I suffered a would to my pinky, did this really represent a botched attack? Were they hoping for something more destructive?

No matter what the answer is to any of these questions, the answer still remains the same: This is an occurrence that never would have happened at Burning Man. I’m not saying that nobody gets hurt at Burning Man–people do get hurt there. But when injuries occur, it’s because someone did something stupid or accidental to hurt themselves, or was simply in the area when an unintentional accident occurred. Never would someone drive into the waste of the Nevada desert just to ruin the fun for other people. Yet someone here had the pre-meditated idea to do this, for there were no fireworks for sale at Fusion Festival. These were bought beforehand, carefully packed and transported to the festival. Someone carried them with them out on the fields with a lighter. Someone did this intentionally.

Therefore, in conclusion, Fusion Festival is an absolute failure. It is nothing. It does not even deserve to be described in the same breath as Burning Man except when illustrating what Burning Man is not.

For now, I have resolved that the only event such as this that I would possibly attend in the future is Burning Man itself. There’s no point in looking for a substitute–such a thing does not exist and those that try come in a far second to the real thing. I’ll save myself the trouble. I’ll save myself the vacation hours. I’ll save my limbs.

Perhaps the weather was a warning sign. I did, honestly, consider not going when I learned of the forecast. Nevertheless, it did provide the impetus for our group to leave the festival a day early. Had I had my own car, I would have been gone that very night. I’m glad I didn’t have to twist anybody’s arm to go–I surely didn’t want to ruin the fun for anyone else. And for those that did stay behind, I hope their experience turns out better than mine.

My pinky with a fresh coating of Neosporin.

Share

I Hear MIDI Clocks

WARNING: This post is entirely for geeks and nerds. If you’re expecting to read something funny or insightful, forget it–not this time. For those who speak Arduino and MIDI, you can continue reading…

The next chapter in the Arduino saga begins with a verification of MIDI Input and Output functions. After all, if I can’t get MIDI In and Out to work, I can just pack all this stuff up right now.

Fortunately, my tests today were also a success. Arduino seems to be living up to its promise of a problem-free experience. Indeed, none of the glitches I experienced during my experiences were due to the Arduino hardware or MIDI Shield. The interconnections between those two devices appears to be spot on. Instead, the glitches I encountered were on the programming side. My fault, obviously, but I was happy with how quickly I was able to diagnose and fix my problems. I guess my programming skills aren’t as rusty as I thought.

However, I am afraid I’m in for some challenges coming up. One of the cornerstones of this device is that it reads MIDI Clock so it can synchronize its operations and also provide 5V DIN Sync to some of my old machines. While I did succeed in getting the Arduino to read and react to incoming MIDI Clock pulses (it would flash a little LED every time the Clock message was received), I can see that I’m going to have to be very careful with how I read the incoming MIDI data. Though the Arduino can supposedly buffer at least 80 bytes coming in on the serial port, I can’t have my program running that slow. As is the essential problem with MIDI Clock, all of its meaning and significance is derived from when the message is received. The message itself, a simple byte equal to F8h, doesn’t tell tempo or when it was sent. The receiving device must therefore check the serial port extremely often so it can react the moment the pulse arrives.

I’m not a hardcore programmer, but I think this is where the concept of “threading” comes into play. It would allow me to split up the functions in my program into separate “sub-programs” that run somewhat independently from each other. I could, I believe, create a thread that runs at high speed and constantly checks the serial port. I could make a second thread that is triggered when a Clock message is received in the first thread. The second thread would run slower than the first–it would have its process paused while the first thread operates–which is OK since the first thread was able to identify the exact time the MIDI Clock arrived. The second thread can use that captured information to respond accordingly.

This is all great if my theory is correct, but I’m pretty sure the ATmega chip on this board doesn’t support multiple threads. It’s classified as a microcontroller which isn’t as hardcore as a “CPU” that you’d find in a typical computer. Threading could be one of the things left out. If that’s the case, I’m going to have to somehow program a time-management system into my program. Anybody know how to do that?

Share

Arduino

This blog has thus far been covering my adventures in Germany, so you may be wondering why I’ve given this post an Italian name. The answer lies in my geekdom which will soon be reaching new heights.

Arduino, you see, is the name of an “open-source electronics prototyping platform” designed and manufactured in Italy. It is a series of microcontrollers mounted onto PCBs with a common pinout for marrying daughterboards (known as Shields). If those last two sentences sounded like jibberish, then here’s the layman’s description: Arduino turns electronics and computing into LEGOs.

Yay! LEGOs! Everyone knows I love LEGOs, and I spent many years of my childhood toiling over those plastic bricks, girders, axels, and gears to build all sorts of mechanical contraptions. The game is the same with Arduino, except the plastic bricks and gears are replaced with soldering irons, PCBs, and computer code.

The Arduino Mega 2560 board is the larger one at the bottom.

In essence, Arduino lets you build your own special-purpose computer. The board itself has no physical controls (buttons, knobs, faders, etc.) so all interface items must be connected by hand. A pain? Possibly. But it does allow you to select the specific interaction elements you want (including blinking lights, buzzers, and spinning motors) so that your device works exactly as you want.

Because of its simple approach, Arduino is a favorite amongst artists and interaction designers as it allows you to harness the power of computers and other electronic circuitry to make robots, interactive art displays, weather stations, or, as I will be attempting, musical tools.

Too many years have been spent waiting for someone to make the tools and instruments I need. I have grown tired of waiting for someone else to create the solution so it’s time to do it myself. My ambitions are, well, ambitious. I’m not sure if I will be able to accomplish everything I’ve set out to do, possibly due to my own limited knowledge of electronics, my amateur coding skills, or I may be faced with the fact that the 16MHz provided by the Arduino aren’t enough to do what I need.

But the nice thing about this is that, due to its low cost, I don’t need to know for sure at this point. Arduino was designed for tinkering around and that’s exactly what I’ll be doing as I search for my solutions.

So what exactly is in store here? Well, I am going to be building a Swiss Army Knife, of sorts, that performs numerous tasks in the context of my MIDI hardware studio. This device will be one of the core components, though it won’t actually create any noise itself. This device is all about control. I will be receiving basic input (twisting knobs and pushing buttons) and then generating numerous outputs from them. I can push a button and trigger 5 different events simultaneously, for example. I’ll also be able to quantize various actions in real-time so that, for example, crash cymbals can be triggered by me but forced to line up perfectly on a downbeat.

Big deal? Well, I’m not telling you what my bigger plans are yet…that’s a secret! But I will tell you that I’ve got a Wi-Fi board here so I’ll be able to create a Wi-Fi hot spot with the Arduino board and connect to it with Touch OSC on my iPad. Oh, snap! This is gonna be great!

Today, I have succeeded in my first initial tasks and experiments. All the parts arrived today including the Arduino Mega 2560 board which is the heart of everything. The Arduino board was already assembled, but the MIDI Shield I order came in pieces so my first task was to break out the new soldering iron and get busy attaching components. A few minutes later, I had the MIDI Shield together and I must say I did a fine soldering job. Thanks to Jim Swanson and Henry Dang at M-Audio for schooling me on soldering technique!

Here's the assembled MIDI Shield. Looks pro!

Once assembled, I confirmed my ability to upload new firmware to the Arduino from my computer over a USB cable. Indeed, I was able to upload a program which controlled the blinking rate of an LED attached to a few pins on the board. I then attached the MIDI Shield to the Arduino and began programming to receive and display the positions of the two knobs and three buttons on the Shield. After a bit of experimentation, I had a beautiful data readout on my computer being streamed from the Arduino. I could see the knob positions reported with 10-bit precision and 0/1 status indicators for the buttons. The buttons were a bit tricky to get working but, in the process, I think I finally understood what pull-up resistors are for! Success feels great.

A marriage made in MIDI-geek heaven

With basic input and serial output working, tomorrow’s task will be to begin reading and writing data to the MIDI Ports. I’ll start by reading and triggering some notes, converting the knob positions into MIDI CCs, and then attempt to read and write MIDI Clock. MIDI Clock is key for this project as it will be keeping all of the instruments locked together. It will also keep my device in lockstep with all the drum machines so I can actually record automation sequences on my device and play them out to the rest of the machines! If I can’t get MIDI Clock to work reliably, then I’ll be in trouble. But I’m going to keep thinking positive on this one and anticipate no problems. That is the goal of Arduino, after all: remove the technical challenges so you can spend your time experimenting with interactions (“Do I really want that note to be triggered when I press this button?”) rather than debugging (“Why the hell can’t I get this stupid LED to turn on???”). We’ll see if my experience matches their intentions…

Share

Osterwochenende

This should teach me to pay closer attention: this weekend is Easter. I did not know this until Monday. Does this make me a heathen? Maybe. But what it certainly makes me is shit-out-of-luck for taking advantage of it.

Here in Germany, Easter is apparently a big deal. And why shouldn’t it be? We celebrate and take days off for Jesus’ birth, so why not celebrate with the same gusto for his resurrection? (Ah, that’s what makes me a heathen: I forgot to capitalize “his” in the previous sentence…) This appears to be the mindset of the Germans as Easter brings with it a four day weekend. What you got on that, America! Easter doesn’t even show up on the list of Federal holidays!

So why am I complaining? Answer: I should have used this excellent freebie weekend to travel somewhere! Had I checked the German holiday calendar months ago, I would have seen this prime weekend coming and could have put a trip together.

But maybe I’m just using that as an excuse. There are many people who can pick up their stuff on a whim and head out the door with only a general sense of where they want to go. Sorry, ladies–perhaps that kind of spontaneity is sexy, but I’ve got to have a little bit of planning before I go somewhere, especially when I don’t have a car to take me where I want to go when I want to be there.

The good news is that the weather is going to be stellar this weekend. There’s the possibility this weekend will surpass the temperature on my birthday (which is still barely holding on to the record for 2011). So this means I’ll be vacationing in…Berlin! And why not? If any one of you readers were to be here this weekend, you’d feel like you were on vacation, so why shouldn’t I feel the same? If vacation is just a state of mind, then consider me already there.

Merry Easter!

Share

Tron Identity Disc Audio Dock by Monster: A Review

“Merchandising! Merchandising! Where the real money from the movie is made. We put the picture’s name on everything! Spaceballs: The T-Shirt. Spaceballs: The Coloring Book. Spaceballs: The Lunch Box. Spaceballs: The Breakfast Cereal. Spaceballs: The Flame-Thrower!!! The kids love this one…”

When I think back to my early years, I remember Star Wars quite well. It wasn’t only a set of movies, it was a phenomenon that occupied a significant portion of my reality thanks to the extensive merchandising campaign that accompanied the films. As I start to list off all the Star Wars action figures, spaceships, carrying cases, playsets, toy weapons, costumes, Underoos, plush toys, bedding, drinking cups, and now the Star Wars-themed LEGO model kits and video games, I start to believe that what Yogurt (the Yoda-spoof character played by Mel Brooks) was saying in Spaceballs could be true for the Star Wars franchise. Could the same thing be said for the Tron movies? Probably not, but there a few Tron-themed items that will still generate significant revenue, not because of their wild popularity, but because of their hefty pricetags.

Last year, some photos went around on the Net of a street-legal “Light Cycle” that was available for sale. The price was outrageous, and I didn’t even really see any similarities to any of the Light Cycles from the new movie, the old movie, or any of the video game spin-offs. In my mind, it didn’t really qualify as real Tron merch. But one genuine bit of gear that costs a pretty penny are the Oakley Tron Sunglasses which weigh in at $750! Even the 3D glasses (polarized for use in the movie theater) will suck $150 out of your wallet, so there’s no cheap Tron eyewear. The same thing can be said for “earwear” thanks to a line of Tron-inspired product…such as the one that is the subject of this posting: the Tron Identity Disc Audio Dock by Monster.

Monster, the same company that brought us expensive audio cables and expensive headphones now brings us all an expensive iPhone dock in the shape of the luminescent donut-disc weapon and storage medium from Tron: Legacy. What the programs in the movie wore on their backs (or slashed through your head) now sits elegantly on a shelf or table and fills the room with lovely music. While I haven’t purchased any kind of consumer-grade audio gear in quite a while, I decided to bend for this item even though its price is comparable to some larger component stereo systems. It looks like a frickin’ Identity Disc, y’all! Of course I got it!

When I unpacked the thing at work, it was actually some time before I got any sound out of the thing which was surprising and disappointing. I mean, what’s the big fuss about? You stick the iPhone in the dock and press play, right? Well, when I stuck my iPhone into this thing, a message came up saying that a special app needed to be downloaded from the App Store to work with the Dock. It even offered to take me right to the app on the App Store to which I agreed. The App Store launched…and sat there on the main home page. There was no special app that I could see. So I started searching for Tron, Monster, Visualizer, or any other keyword that might make the app appear in the Store. No dice. I found plenty of Tron apps (most of which I already had) but nothing for the Dock nor anything with the Monster brand name on it.

It took me a while to finally discover that the visualizer app is actually built-in to a Tron app I already had on my phone. What is normally a Tank and Light Cycle game also has a visualize mode. OK. Now I know. Not very obvious. But why do I even need this app to begin with? Well, this Identity Disc happens to light up like it does in the movie and the visualizer app will make the lights pulse and flash to the music while Tron-themed graphics are shown on the iPhone screen. The app is also supposed to work as an alarm clock.

So let’s get the disappointing part of this review out of the way first: The visualizer app is an absolutely worthless piece of garbage that doesn’t deliver anything it promises. It’s so lacking, in fact, that I could probably take legal action against Monster for misrepresenting the product in their marketing materials. Does the visualizer app create visuals to the music? No. Does the visualizer app simply play the same half-second flash-pattern over and over again regardless of the musical content, going so far as to even continue flashing during silence? Yes. Alarm clock? No. Thank goodness the iPhone already has an excellent Clock app of its own with multiple alarms to stand in for the Tron app’s missing feature. And the audio playback options of the app are so horrible (select a playlist then navigate forward or backwards through tracks using the left and right arrows) that the visuals simply aren’t worth the effort.

So I’ve resorted to using the Dock without the visualizer app. I just use the built-in iPod app and I’m all good. The lights on the Disc don’t flash–they’re just on full brightness all the time–but that’s OK. I could imagine the constant flashing would regularly catch the corner of my eye and distract me. Besides, the Discs didn’t flash that much, either, so the non-flashing lights are actually a little more authentic (how do you like that excuse?).

Thankfully, this is where the bad news ends because, when you actually play music on this thing, it’s astonishingly good. This isn’t to say that the audio will rival studio monitors or even mid-grade consumer systems, but I am saying that more sound comes out of this thing than appears physically possible. There are 5 speakers on this thing, four of which are only about an inch in diameter and are mounted along the perimeter of the disc to throw highs and mids into the room. The base of the dock houses a 3.5-inch “woofer”. I know, it’s sort of an oxymoron to call a 3.5-inch speaker a woofer, but this thing does manage to pack a punch. No doubt, the speaker cabinet is assisting the sound–it’s a rather large oval shaped housing cleverly hidden behind the disc that’s allowing the build-up of some standing waves. So, yes, I can actually hear bass. What’s more, I can even feel bass coming through the floor!

Oh yeah, my floor. I’ve complained in previous posts about the complete concrete nature of my apartment and the horrible impact it has on the acoustics in here. I live in a massive bass amplifier. A simple thud reverberates like an 808 kick drum in here, so good speakers actually sound really bad (the full range bass gets completely overblown and muddied in this apartment). But the 3.5-inch woofer on this iPhone dock may actually be interacting with my room’s acoustics in a beneficial way. I think the bass roll-off of this dock co-incides with the frequency where the lows start to build up in this room. Therefore, the build-up in the room sort of extends the shortened low-end of the dock to make it sound more-or-less flat. Bizarre, I know, but I’m thrilled with the results. I’d been so disappointed with my studio monitors in this place I’d sort of dismissed ever having ambient or background music in this place. Now, I’m listening again.

My listening habits have had to change, though, as a result of this dock. The reason is a result of the horribly-conceived playback controls on this thing. Monster had the brilliant idea of providing a remote control for this thing, but the only playback options it provides is play, pause, forward, and backwards. There’s no way to select new artists, playlists or anything. If your list runs out, you have to start playing the first track in your library or get up and fiddle with the iPhone’s screen to find another playlist.

Instead of suffering such unbelievable inconveniences, I have actually put my old iPhone 3GS back to work. The phone is useless in Europe since it’s locked to AT&T back in America. But without the SIM card inside, the iPhone 3GS turns into an iPod Touch. All aspects of the iPhone still work with the exception of making calls, so I cleared out all the memory and loaded it up with every single pop song I could find in my iTunes collection. That is, every pop song that’s worthy of random playback. And that’s what I’m doing: the iPhone is set to Shuffle and now I have a non-repetitive assortment of music filling the air all the time. I’d forgotten about a lot of these songs and its great to hear them again.

So, in conclusion, I rate the Tron Identity Disc Audio Dock by Monster as follows:

  • Build Quality: 9/10 – The dock unit itself is built to meticulous standards with no vibrating parts or cheap finishes. The only detractor here is remote control which is a cheap plastic thing with membrane buttons that will certainly crack and break off over time.
  • Sound Quality: 8/10 – This is a subjective rating, obviously, and may actually be lower in other environments. It just sounds really great in my apartment…and that’s what matters to me!
  • Functions: 3/10 – This is where the Dock is a dismal failure. The visualizer app is a complete joke which cuts off half the features promised with the device. The remote and dock-mounted control buttons don’t allow more than simple forward/backward navigation which forces you to interact with the iPhone screen often.
  • Appearance: 10/10 – This thing looks super-dope!!! Check it out…

Tron + The Orb = Digital Chillage

Share

Tron: Legacy

Attention!

I have had a revelation about Tron: Legacy since I saw it last night. This is because I just started reading an eBook on my iPad for Tron: Legacy and was able to reflect on the story at a slower pace without the constant 3D visual distractions. I must rescind many of my previous statements as I now evaluate them from this new perspective. So here’s what’s new: I am now considering Kevin Flynn’s addiction to the computer world. His behavior has had an influence upon the design of the computer world I had not previously considered. Tell me if you agree…

Surely, Kevin Flynn’s first trip into the Computer World back in 1982 was scary as hell. Come on, if that had happened to you, would you not have been electro-crapping your digi-pants? I mean, dodging discs, navigating Light Cycle mazes, and avoiding Tanks and Recognizers aside, I’d be loosing my junk over the mere concept of being in the computer to begin with. I know we all think, “Yeah, being inside the computer would be totally rad!” but that’s when we assume getting back out is easy or even assured. But the very first time it ever happened to the very first person, that person would probably be panicking over whether this would be their experience and reality for the rest of their existence. I know I would.

But then you manage to get out safely and, in the case of the first movie, things are better now. You’ve defeated the evil VP who stole all your video game creations and you’re the head of the largest software company in the world. While perhaps not within the first day, week, or even month after the experience, at some point you start to think: “Hey, I was inside a computer. When I was in there, I could see the structure of the system and interface with programs. The whole world exists within software so it can be shaped and controlled by software. I am a computer programmer who can write software, so I could write a world designed the way I want. I’ll be safe because I can enter the Computer World into a location I choose with parameters I set rather than being sucked into the Game Grid by a homicidal Master Control Program. Yeah, everything will be cool…”

And so you do it. You start with an initialized private computer system and program a world to your designs. You zap yourself into this new Computer World any time you want, do what you want, then come back to the real world with no ill effects. You start to spend more time in the Computer World, constantly improving it, crafting it closer and closer to your ideals. After a while, you start to prefer the reality of the Computer World over the real world. Is this what Kevin Flynn did?

I’m thinking now to the scene in the movie where Flynn is attempting to repair Quorra’s program (her arm having been cut off in the previous fight). We did not see lines of code but rather geometric networks and digital DNA. I originally dismissed this scene in my head assuming that these pretty graphics were in the movie just because they looked cool and seemed “really technical” to most viewers. I figured that trying to repair anyone’s program would have required browsing through lines of code. But I am now thinking that this new Computer World is so computationally advanced that programs are simply constructed of these networks and can be extremely dense and complex. After all, if the computer can digitize the physical human and re-image them within a computer simulation, this computer must be capable of running neural network programs as complex as those in the human brain. If a human is defined by chemical DNA, a computer object could be defined by digital DNA. Is that what Flynn did when designing this new Computer World?

If this is the case, then all the physical attributes of the new Computer World make sense. Flynn saw the first world and experienced the unrealistic properties there, and made sure to account for them in his new system. Therefore, when he goes into the system, he feels like he’s in a better world than he was previously (the real world). This also provides a reason for why there is a replica of Flynn’s Arcade in the Computer World.

If I continue thinking along these lines, then I understand why Programs have their own personalities…why they could choose to change sides and rebel against their creators. This Computer World is as much an exact simulation of the real world as Kevin Flynn could achieve where Programs exist in Man’s image. They possess the same weaknesses and flaws. Maybe more. If a User can go bad, so can a Program.

The concepts of the ISOs now become a little more plausible and interesting. If this digital DNA is what constitutes a program in this new world, then a random clump of errant or otherwise bizarre DNA could create a new program of its own. Flynn seems to be suggesting that these new programs are new consciousnesses. An ISO is a mind born of the computer, a consciousness as real as Flynn’s when he’s digitized into the Computer World. That would be pretty wild, finding a colony of living minds within your computer rather than the programs you’ve grown to expect. It seems this is what happened for Flynn.

So it really is a miracle, as Flynn kept saying throughout the movie, that Quorra is seen riding on the back of Sam’s motorcycle at the end of the movie. Her’s is a mind born in an electronic box that is so complex and developed that it can actually be translated into a physical human form. Clu’s killing of all the ISOs is much more of a horror now as these weren’t just programs being deleted to free up hard disk space. They were unique minds being executed.

So this does really change everything. Clu and all his baddies really do pose a threat to humanity so our protagonists’ struggles in this movie seem more noble now. But this also changes some other things:

  • The costumes now are fashion choices as I suggested in my previous remarks. This new world is designed to be realistic so Programs aren’t represented with bodies made of circuitry anymore. They look just like humans (which is why Sam wasn’t immediately pegged as a non-Program when he was first captured) and the cool clothes and architecture are stylistic trends that have grown in the world. We could say that all the outfits look the way Kevin Flynn wants them to look.
  • The motorcycle Sam rides in the real world actually belonged to his father. I therefore can understand why the new Light Cycles look and perform more like real motorcycles in this new world. In fact, all forms of propulsion can simply be chalked up to consequences of all the physics programmed into the Computer World. Light Cycles need engines, Recognizers need jets.
  • Rain and lightning could have been added at Flynn’s choice to add to the realism he was creating in his replacement world.

See, it’s the concept of addiction that brings this all together for me: The Computer World is the way it is because Kevin Flynn is obsessed.

What do you all think of where I’m going with this one? Possible or am I way off target?

By the way, here’s a link to the old discussion I wrote.

Share

Under Siege

Word association: Fireworks

If you’re American, like me, the first thing that probably pops into your head is some sort of imagery or activity relating to Independence Day–the Fourth of July. Summer heat, poolside barbecues, and school is out. Time to celebrate with fireworks. Little ones on the front driveway, bigger ones in the street. And massive displays put on by the city. There is no escaping fireworks on the 4th–someone nearby will have them, and they’ll likely start setting them off at dusk (not counting all the mandatory “test firings” occurring sporadically the days before).

If you’re from certain parts of America, like me, then you may also be feeling a tinge of sadness or disappointment at those words since there were ordnances in your area limiting the size, scope, and spectacularity of fireworks you can have for your own amusement. Sometimes the reasons made sense: the city was in a wooded or mountainous area prone to going up in flames with even the slightest of sparks. Sometimes the reason made you shake your head for the poor portrayal of your fellow man and his apparent disinterest in self preservation. Whatever the cause, it meant you knew you were getting gypped at the fireworks stand buying tons of sparklers, fun snaps, and whistling fountains. Whooptie-doo! Yeah, those don’t make you forget nights of bottle rockets, Roman candles, Black Cats, crazier-than-ground-bloom-flowers-which-bounce-all-over-the-place-which-I-don’t-know-the-name-of… Imported stuff. That could be fireworks driven down from the Colorado/Wyoming border (they had fireworks stands set up right at the border because Wyonming’s fireworks rules were lax). It could also mean fireworks from a source completely unknown to me–don’t ask, don’t tell. Just enjoy.

But what if you live in a country other than America? In your home country, it’s unlikely that you care to celebrate America’s Day of Independence with such gusto. Thus, no fireworks on July 4th. So what do you think of when you think of “fireworks”? What is the association?

Judging from the sound outside at this moment (6PM local time on December 31, 2010), I’m thinking its quite possible that, for Berliners, the mention of feuerwerk immediately conjures images of New Year’s Eve. During my 4.5 months here, this is the first time I’ve witnessed German’s really ‘werk it up. There have been other random occurrences of fireworks during that time, but they seemed centralized to a specific location–maybe a football game or an outdoor concert. Today, the fireworks are completely decentralized–the sound just comes from everywhere. Many are far away but some are surprisingly close. And should I be surprised? After all, I did see some of the most gigantic bottle-rockets-on-German-steroids begin sold at the ALDI a few days ago. Like, big enough that a cop would probably pull a gun on you in LA. These things go up, and they go bang. Actually, due to their immensity, they have more of a “boom” than a “bang.” If a small firecracker or even a gun goes “bang,” this is more like the sound of a frickin’ mortar. Deep and punchy. These volks are going for it just like Americans on the 4th…but these people are doing it in the cold! The effect is that of a city under siege. Wooo-hooo!

Happy New Year!

Share

OK…Where Have I Been?

Yes, I’m late to the party on this one. As I’ve found out, these guys have won Grammys for their videos and are near record-breakers on YouTube with their stuff. While I did see the Rube Goldberg video for “This Too Shall Pass” when it came out (thank you to all the peeps on Facebook who posted that one), I seem to have missed the others. And in case you’ve missed them, too, check this stuff–I hope it puts a big smile on your face like it did mine.

OK Go, as the band is called, seems to have made a name for themselves through music videos that are some of the most elaborate and choreographed stunts around. While no feats of death, they still boggle the mind, especially when considering the time-investment that may have been required for some of these. Most of these videos are all done in one take which is quite impressive. As a recording engineer trying to track drums, or as a DJ recording a set, I can tell you how much time can be spent trying to get that one perfect take and failing. The better you do, the greater the risk. You may make it 90% before screwing up, then you’ve wasted all that time and need to do it again. It can be quite frustrating. But when the whole thing is captured, well, it’s amazing.

Start by taking a look at OK Go’s video for “A Million Ways.” No big deal–just a cute choreographed dance routine (my favorite part is the brief slo-mo homage to The Matrix). One take and a few imperfections here and there, but obviously a lot of fun. As a follow-up came “Here It Goes Again” which is another dance routine, this time incorporating 8 treadmills. This one chalked up something like 9 million downloads so I’m shocked and somewhat embarrassed to admit I didn’t see this video until today. Talk about clever! Another one-take-wonder, this one spawned numerous imitations by high-school dance troops (check out YouTube to see some of them).

Their song “This Too Shall Pass” actually came in two flavors. There was one performed by a high school marching band, but the one that set everyone abuzz was the Rube Goldberg version. Now, I think there are a couple cuts in this one, but I can’t be totally sure. If so, there are maybe two cuts at the most so it’s still very impressive if it’s true. But if there were really no cuts (and we may never know the real truth), then it’s nothing short of mind-blowing. There are two parts that really make me go “Wow!”: one at the beginning where a bunch of steel marbles are set running down a carved-out track in a wooden board–notice how the balls are being hit exactly on beat with the song. The second is where the music stops to hear the melody of the song being played by the Rube Goldberg machine clanking out the notes on glasses filled with water. This one obviously took at least a few takes because the band members are already covered in paint at the start of the video (as a result of the video’s ending).

Through all of this, the music has been OK. Nothing that really jumped out at me–I was always more interested in the video itself. However, another video I discovered today for their song “End Love” finally changed that. Nice 80′s vibe and cool vocals and harmonies (i.e. “Nobody’s gonna find ya when you’re hiding in the dark”). The video is an excellent combination of footage captured at slow frame-rates sped up to match the music. Whether or not this video was done in one take is hard to judge, especially once the sun goes down and comes back up again. Holy crap! Did these guys actually spend over 24 hours shooting this thing? When they’re in the sleeping bags, are they actually sleeping while one guy wakes up for a few hours to do his part for the video? And did they have to coordinate everything perfectly so the park was empty one day then populated with hundreds of extras the next day? The answer can only seem to be one of, “Well, yes!” Amazing.

Their latest video is called “White Knuckles” and combines the risk of a one-take video with the added risk of dogs performing tricks. Not only did the humans need to do their parts right, but the dogs needed to do them right, too. And they did! A few of the routines are so complex I couldn’t even catch everything that happened at once. Canisters being stacked, unstacked, knocked over, and moved off screen with a dog grabbing one of them and taking it off the other side! Woah! Super-skills all around.

So do yourself a favor and look these videos up. If you’re living Stateside, you should have no trouble looking them up on YouTube. And while you’re at it, if you want to hear a great song, check out a remix of one of their tracks called “End Love (Subtractive Remix).” I’ve listened to that track like 10 times already today. Sure, it’s somewhat cliche with its sound design and buildups but, unlike other generic club mixes I’ve heard, this one stays funky, tasteful, and is just fantastic combined with the vocals from that track. Happy day!

Share

German Mexican Sushi

Germans are weird, but we all knew that, right? Well, they’ve taken it to another level now at a restaurant called Dudu (that’s pronounced “doo-doo,” like the dog stuff you can step in). On Friday, a bunch of us from the NI design team went to this restaurant, it being a favorite of Michael’s. I guess he’s been going there every week for the last few weeks. I figured that was a reasonable endorsement for the  food and, not having had any sushi since leaving California, I figured it would be nice to have some (though my expectation for sushi in Berlin was not high).

Dudu has a nice atmosphere with techno music playing in the background. There were a few Asians working there so I felt safe. However, there was not a sushi bar to be seen, so this place isn’t primarily a sushi joint. They merely have some sushi on the menu. It was recommended that I try the Seafood Bowl, but I didn’t feel right skipping out on the sushi…so I ordered both. The Nigiri Track cost 9€ and came with 4 pieces of sushi: Albacore, Yellowtail, Salmon, and Shrimp which are the standards. I was happy to discover that the sushi was quite good and, even better, didn’t use any wasabi. Sure, there was some on the plate, but a lot of sushi places will put wasabi between the fish and rice, partially as an adhesive to hold the two parts together, but also as a way to mask the flavor of a bad cut of fish. Dudu definitely wasn’t trying to serve me any doo-doo.

After gobbling down those four pieces, the Seafood Bowl arrived. This was the weird part. See, it was built on a bed of rice, which is normal, but also included salsa and guacamole. Not mashed avocado, but guacamole…with all the spices. On top of this were sashimi-slices of fish. Sushi on top of Mexican condiments on top of rice. Surprisingly, it all worked together, though it definitely didn’t provide an authentic sushi or Mexican experience. But this was the closest thing I’ve had to Mexican food since arriving in Berlin…at an Asian restaurant. Go figure.

Share

The Cola Review

Yes, I have a weakness for colas. In America, I was completely spoiled because most lunch spots would include a soft drink with a meal and, more often than not, also provided free refills. As a result, it was very easy for me to get my daily cola fix each workday at lunch. I was even more spoiled in California because Mexican Coke was available in many places–this is Coke imported from Mexico which has the distinction of using real sugar instead of High Fructose Corn Syrup as found in nearly all other American sodas.

Things are not so easy here in Berlin. Don’t get me wrong–they do have sodas here, but they’re much more expensive. Ridiculously expensive, actually, and this makes their enjoyment rather prohibitive. I was rather surprised my first weeks here having lunch with the NI crew since nobody ordered drinks with their meals. They’d just order food, eat it, and take off back to the office. I quickly realized why: you can nearly double the cost of your lunch by adding a 1/3 liter bottle of soda. For example: yesterday’s meal of schawarma und halloumi im brot was 3,50€. To add a soda cost an additional 2,60€! Daaaaamn!

So, to say the least, my soda consumption has significantly dropped since coming to Berlin, which is undoubtedly a good thing. However, I have to say that I have encountered some of the greatest sodas since arriving here and I’ll now tell you about some of the best:

Afri-Cola

This is a German brand, believe it or not, and is somewhat “boutique” in its price and availability. I first encountered Afri-Cola on my first trip to Germany back in 2005 for the MusikMesse trade-show in Frankfurt. I was having pizza with the Abletons and kept ordering bottle after bottle of Afri-Cola because I found it so tasty. Unbeknownst to me at the time, Afri-Cola has the distinction of having even more caffeine per serving than Jolt Cola! The official amount is 25mg/100ml. I think I heard somewhere that this is the maximum amount of caffeine allowed by law.

Spezi

This is a weird one: it’s cola and orange juice mixed together. This isn’t just a drink they’d prepare for you at a bar–you can buy it right off the shelf mixed this way. In fact, orange/cola mixes are quite popular here, another big brand being Mezzo Mix (which I have not tried). Spezi is surprisingly nice as I believe they use real orange juice (probably from concentrate) as opposed to just orange flavoring. I did try something called VitaCola that was an orange-flavored cola with extra vitamin C…it was absolutely horrible. But Spezi sets itself apart and, if I’m not mistaken, is actually a product of Pepsi-Cola. Don’t quote me on that, though.

Freeway Cola

As far as I can tell, this is the store-brand cola of Lidl supermarket, which is a budget market right next door to my apartment. A 1-liter bottle is something like 0,39€ which is nice and cheap. For a generic brand, this stuff is also quite good. I’d never miss Coke or Pepsi with this stuff in my fridge.

Club-Mate Cola

This is the undisputed winner of cola here in Berlin. Holy shit, this stuff is good and I don’t know the secret of its formula. There is a huge list of “aromas” and flavors that are added to this blend and the result is fantastic. It’s sort of like a cherry coke without being overly sweet or cherry. My hat is off to the person or persons who experimented with the mixture of flavors to arrive at this blend. Dizzamn. The only bummer is that I’ve only found this stuff sold in individual glass bottles at restaurants and kiosks so it is, by far, the most expensive cola drink I know. If I can find a place that sells this stuff in packs for a decent price, I’ll be in serious trouble.

Share